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“Poets
used to have an actual classification number in the unemployment
lines. They’d say to me, ‘Poet, huh? Sorry, buddy. No
job openings today…’”
In the tradition
of roustabout writers such as Twain, Kerouac, and London, Jim
Krusoe admits proudly to having knocked around a bit. “I
think there’s a virtue to staying hungry,” he says.
“And if what you’re doing is slightly scary, whether
it’s in poetry or whatever creative field you’ve chosen,
it adds a kind of backbone and excitement to the fact that you
have chosen to make your way in the arts.”
Jim chose
to go to college in California “to get as far away from Cleveland
as I possibly could.” He taught, wrote poetry, and traveled
and finally began teaching full-time at SMC about four years ago.
“And it’s really just the best, teaching here,”
he says. “I’m nothing but proud of my students, especially
in the night classes. I get such a great cross section in my writing
classes,” he continues, “of people who are absolutely
professional. I’m told, in fact, that they’re even better
than graduate seminars because my students bring such vast experience
in life to their writing efforts.”
Jim is currently
the editor of Santa Monica Review, the SMC literary publication.
“It’s a terrific magazine that combines the work of
internationally known writers with works from those who need more
exposure.” But his work with pure poetry is still nearest
to his heart. “There are two reasons to read poetry,”
he says. “One is that it uses words more precisely than any
other form, so it teaches the real power of language. Second,
poetry is the vehicle for feelings and emotions that have no other
way to be expressed in popular culture. Poetry has always been
the voice of the unheard,” he continues, “whether it’s
the underclass or that which, ordinarily, can’t be put into
words.”
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