Web Training

Samples of Snippets

Snippets place preformatted structures on the page, and you can enter your own content.

 

What are Snippets?

See OU > Snippets.

Accordion

Description of the Accordion goes here.

 

Generic Block - 2 Column

Description of the blocks go here.
placeholder

Title 1

Optional Subtitle

Description of the first block goes here.

Optional Link (can be replaced with component button)

placeholder

Title 2

Optional Subtitle

Description of the second block goes here.

Optional Link (can be replaced with component button)

placeholder

Generic Block - 3 Column

Description of the blocks go here.
placeholder

Title 1

Optional Subtitle

Description of the first block goes here.

Optional Link (can be replaced with a component button)

placeholder

Title 2

Optional Subtitle

Description of the second block goes here.

Optional Link (can be replaced with a component button)

placeholder

Title 3

Optional Subtitle

Description of the third block goes here.

Optional Link (can be replaced with a component button)

placeholder

Generic Block List

Description goes here.
Fish

Heading 3

Bird

Heading 3

With text description

Bug

With text.

Grid Buttons

New and Improved. (easier to add buttons)

 

Calendar

SEE ALL
Description goes here.
Oct 26
Free COVID-19 Vaccinations Available at SMC
Oct 27
Bodega (Food Pantry)

Bodega (Food Pantry)

11 a.m. - 3 p.m. Main Campus
SEE ALL

Contact Box

Contact the Kinesiology & Athletics Department

Preferred Contact Method: Email

  • Office Hours: Monday - Friday, 8 a.m. - 4:30 p.m.
  • Response Time: 1 business day

Athletics

Kinesiology

Department Chair Elaine Roque

Administrative Assistant Sandra Hernandez

Programs List

Description of the list.

Social Media Icons

Add links to your departments Social Media:

Table

Table Heading Table Heading Table Heading
Row Heading Content Content
Row Heading Content Content
Row Heading Content Content
Table Heading Table Heading Table Heading
Row Heading Content Content
Row Heading Content Content
Row Heading Content Content

Leader List

  • LeftRight
  • LeftRight
  • LeftRight
  • LeftRight

Two and Three Columns

First Column

Call me Ishmael. Some years ago — never mind how long precisely — having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world. It is a way I have of driving off the spleen, and regulating the circulation. Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people’s hats off — then, I account it high time to get to sea as soon as I can. This is my substitute for pistol and ball. With a philosophical flourish Cato throws himself upon his sword; I quietly take to the ship. There is nothing surprising in this. If they but knew it, almost all men in their degree, some time or other, cherish very nearly the same feelings towards the ocean with me. 

Second Column

I first met Dean not long after my wife and I split up. I had just gotten over a serious illness that I won’t bother to talk about, except that it had something to do with the miserably weary split-up and my feeling that everything was dead. With the coming of Dean Moriarty began the part of my life you could call my life on the road. Before that I’d often dreamed of going West to see the country, always vaguely planning and never taking off. Dean is the perfect guy for the road because he actually was born on the road, when his parents were passing through Salt Lake City in 1926, in a jalopy, on their way to Los Angeles. First reports of him came to me through Chad King, who’d shown me a few letters from him written in a New Mexico reform school. I was tremendously interested in the letters because they so naively and sweetly asked Chad to teach him all about Nietzsche and all the wonderful intellectual things that Chad knew. At one point Carlo and I talked about the letters and wondered if we would ever meet the strange Dean Moriarty. This is all far back, when Dean was not the way he is today, when he was a young jailkid shrouded in mystery. Then news came that Dean was out of reform school and was coming to New York for the first time; also there was talk that he had just married a girl called Marylou. 

First Column

The studio was filled with the rich odour of roses, and when the light summer wind stirred amidst the trees of the garden, there came through the open door the heavy scent of the lilac, or the more delicate perfume of the pink-flowering thorn. 

Second Column

I am an invisible man. No, I am not a spook like those who haunted Edgar Allan Poe; nor am I one of your Hollywood-movie ectoplasms. I am a man of substance, of flesh and bone, fiber and liquids—and I might even be said to possess a mind. I am invisible, understand, simply because people refuse to see me. Like the bodiless heads you see sometimes in circus sideshows, it is as though I have been surrounded by mirrors of hard, distorting glass. When they approach me they see only my surroundings, themselves, or figments of their imagination—indeed, everything and anything except me. 

Third Column

It was a bright cold day in April, and the clocks were striking thirteen. 

  • Bullet one
  • Bullet two
  • Bullet three
  • Bullet four
  1. List Item
  2. List item
  3. List Item

Degree/Certificate Card

Associate in Science Degree - Animation

32 to 33 units + General Education Requirements

The Associate degree in Animation program is a comprehensive study of the skills necessary to create 2D or 3D digital animation for the entertainment industry. The required coursework begins with the Animation Foundation Certificate of Achievement, combining a solid foundation in animation history and visual storytelling with hands-on experience in digital animation pre-production and production processes.

View Requirements