2025-2026 Global Grants Events and Projects
Professor Elham Gheytanchi
Student attendees unanimously identified transnational repression - an authoritarian government's effort to control and intimidate its citizens even after they have left the country - as the speaker's main argument. In their reports, one student emphazised the use of legal threats, surveillance, and pressuring families back home to instill fear. Another studet noted that the Islamic Republic of Iran utilizes its vast network of proxies, such as Hamas and Hezbollah, to carry out this control and even assassinate dissenters. The students discussed that the primary purpose of these fear-mongering tactics is to ensure those in power remain perpetually dominant. Finally, the students highlighted that the repression tactics employed by authoritarian governments, such as Iran and Turkey, are fundamentally an act of self-preservation, fueled by the historical reality that successful resistance, like the 1979 Iranian revolution, confirms that current widespread movements, including the 2022 women's rights movement, represent an existential threat to their power.
Professor Briana SImmons
The conversation with Aydinaneth Ortiz and William Camargo took place on November 6, 2025 in A214 with about 100 people in attendance. The conversation was moderated by SMC faculty Erika Hirugami. Hirugami curated the Concrete Hope art exhibition currently at the Barrett art gallery and Ortiz and Camargo both have their work in the show.
Ortiz and Camargo are both lens-based artists and also faculty at other community colleges (Cypress College and Pasadena City College respectively.) Ortiz talked about her series Hija de tu Madre which centers immigrant mothers and their stories, connecting personal histories to global conversations about movement, belonging, and representation. Ortiz also talked about her series In the LBC, which looks at the Latine community in Long Beach against the backdrop of the industrial and maritime activity oof the Port of Long Beach, inviting viewers to consider the implications of global trade, local labor, and the movement of goods and people. Camargo's work focuses on the gentrification of immigrant communities in Southern California and he also spoke at length about his work, As Far As I Can Get Closer to the Border in 10 Seconds After Divola, which considers the space of borderlands/boundaries and the intersections of different languages, people, and migrations.

















